Thus, a punchline is a must. Learn to formulate it and to deliver it well. Here are several things you should know first and foremost about punchlines, especially in any standup comedy act. It would help you a lot if you would know these insights by heart. First, spoken punchlines should be less than about nine words. At this type of websites, you will find comedic acts of various performers from all around the globe from the ones that you know nothing about to people whom you admire in this field. As you watch these videos often, you will learn about their strengths, weaknesses and mistakes. You can apply all that you've learned when it is your time to perform. You can do this more frequently once you get the hang of it until you are ready to take this to a different level, to a larger group or to a bigger venue. 4. You should be very considerate about the jokes that you use on your performances. As much as possible, do not touch certain topics, like religion or customs in various countries or how certain races look like. Do not focus yet on what techniques would you like to apply on your jokes because if that would happen, it will appear as if you are trying too hard. Instead, you should learn how to relay your messages with the audience as if they are your friends and your main goal is to make them laugh. While you are still trying to learn standup comedy, you should experience life to the fullest. Television is full of many standup comedians, who dominate the screen during almost all important times of the day. So how could you learn how to become an effective standup comedian and survive the already intense competition? You should realize that being a competitive standup comedian is not just all about talent. When this happened the music hall circuit took a significant amount of blow. Television exposure demanded for fresh new materials on a regular basis while music hall routines only entail performers to boringly work on a single material for a long period of time. It is said that the rise of popularity ratings of television acts led to the cancellation of theatrical censorship in 1968.